ha ha ha hi! - Felix Baumann

In the organizer's words:

From 6 years

In "ha ha ha hi!", a mediocre comedian tries to tell a life-changing joke. But he doesn't have the right words or the right microphone setting for a real breakthrough. As he struggles with his shortcomings, he surrenders to absurdity and uses every tool at his disposal to create moments of comic folly.

The solo performance "ha ha ha hi!" combines dance, circus, physical comedy and object manipulation. It celebrates the art of wit, joyful silliness, unadulterated humor, comic chaos and the beauty of happy senselessness. It invites the audience into a world where minimalism meets eccentricity and playful silliness gains depth.

With his latest solo performance, Felix Baumann continues his work on the theme of "BODY, COMIC & MATERIAL" and focuses on humor as a choreographic, aesthetic and political tool of cultural practice.

The research work from which the project emerged was supported by the Fonds Darstellende Künste with funding from the Federal Government Commissioner for Culture and the Media. The production was supported by LOFFT - DAS THEATER Leipzig, English Theatre Berlin | IPAC, Kulturraum GmbH Berlin, Chamäleon Berlin, Katapult Berlin and Tollhaus Karlsruhe.

Free admission! Hat at the end of the performance.

ENG

In ha ha ha hi! a mediocre comedian attempts to tell a joke with a life-changing impact. However, he lacks the words or the right microphone setting for a real breakthrough. As he grapples with his shortcomings, he embraces absurdity, employing every tool at his disposal to create moments of comic folly.

The solo performance ha ha ha hi! blends dance, circus, physical comedy and object manipulation. It celebrates the art of joking, cheerful silliness, raw humor, comic chaos and the beauty of happy futility. It invites the audience into a world where minimalism meets eccentricity and playfull foolishness becomes profound.

With his newest solo performance Felix Baumann continues his work on the theme of "BODY, COMIC & MATERIAL" and devotes himself to humor as a choreographic, aesthetic and political tool of cultural practice.